Panasonic Lumix G X Vario
12-35mm f/2.8 II
Panasonic Lumix G X Vario 12-35mm f/2.8 II
Our go-to lens that is on one of our cameras 70% of the time. The lens is wide enough for establishing classroom shots and can zoom into students in action. Having stabilization built-in helps when filming handheld.
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Panasonic Lumix G X Vario
35-100mm f/2.8 II
Panasonic Lumix G X Vario 35-100mm f/2.8 II
Wonderful telephoto lens for when you want to stay in the back of the classroom and zoom in. A constant F2.8 won’t affect the brightness while zooming. This is a big feature vs. the cheaper f4.0-5.6
Wonderful telephoto lens for when you want to stay in the back of the classroom and zoom in. A constant F2.8 won’t affect the brightness while zooming. This is a big feature vs. the cheaper f4.0-5.6
Panasonic Lumix G 20mm
f/1.7 II
A 20mm prime lens allows us to have a maximum aputure of f1.7 with this small and fast lens. This is the go-to lens when using a gimbal stabilizer.
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Canon EF
24-70mm f/2.8L II
Canon EF 24-70mm f/2.8L II
This Canon EF lens will need a $50-400 adapter to work with Micro Four Thirds cameras, but has been a reliable lens for photographers/videographers for decades.
This Canon EF lens will need a $50-400 adapter to work with Micro Four Thirds cameras, but has been a reliable lens for photographers/videographers for decades.
Panasonic Leica DG Vario
50-200mm f/2.8-4
Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4
Super telephoto lens for recording conferences, graduation, and other events from far away.
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Super telephoto lens for recording conferences, graduation, and other events from far away.
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Venus Laowa7.5mm f/2
Venus Optics Laowa 7.5mm f/2
A super wide manual lens (no auto-focus). It does have a little fisheye effect but usefully in specific cases where a wide angle is needed.
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A super wide manual lens (no auto-focus). It does have a little fisheye effect but usefully in specific cases where a wide angle is needed.
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