Our Favorite Camera Lens

By Paul Weller News Articles September 19, 2019

[nectar_flip_box image_url_1=”1242″ text_color=”light” icon_family=”linea” icon_color=”Accent-Color” bg_color_2=”#1239ff” text_color_2=”light” h_text_align=”center” v_text_align=”center” flip_direction=”horizontal-to-left” front_content=”

Panasonic Lumix G X Vario
12-35mm f/2.8 II

” min_height=”400″]Panasonic Lumix G X Vario 12-35mm f/2.8 II

Our go-to lens that is on one of our cameras 70% of the time. The lens is wide enough for establishing classroom shots and can zoom into students in action. Having stabilization built-in helps when filming handheld.
Learn More[/nectar_flip_box]

[nectar_flip_box image_url_1=”1243″ text_color=”light” icon_color=”Accent-Color” bg_color_2=”#1239ff” text_color_2=”light” h_text_align=”center” v_text_align=”center” flip_direction=”horizontal-to-left” front_content=”

Panasonic Lumix G X Vario
35-100mm f/2.8 II

” min_height=”400″]Panasonic Lumix G X Vario 35-100mm f/2.8 II
Wonderful telephoto lens for when you want to stay in the back of the classroom and zoom in. A constant F2.8 won’t affect the brightness while zooming. This is a big feature vs. the cheaper f4.0-5.6

Learn More[/nectar_flip_box]

[nectar_flip_box image_url_1=”1342″ bg_color=”#ffffff” text_color=”light” icon_family=”linea” icon_color=”Accent-Color” bg_color_2=”#1239ff” text_color_2=”light” h_text_align=”center” v_text_align=”center” flip_direction=”horizontal-to-left” front_content=”

Panasonic Lumix G 20mm
f/1.7 II

” min_height=”400″]A 20mm prime lens allows us to have a maximum aputure of f1.7 with this small and fast lens. This is the go-to lens when using a gimbal stabilizer.
Learn More[/nectar_flip_box]

[nectar_flip_box image_url_1=”1252″ bg_color=”#0a0a0a” text_color=”light” icon_family=”linea” icon_color=”Accent-Color” bg_color_2=”#1239ff” text_color_2=”light” h_text_align=”center” v_text_align=”center” flip_direction=”horizontal-to-left” front_content=”

Canon EF
24-70mm f/2.8L II

” min_height=”400″]Canon EF 24-70mm f/2.8L II
This Canon EF lens will need a $50-400 adapter to work with Micro Four Thirds cameras, but has been a reliable lens for photographers/videographers for decades.

Learn More[/nectar_flip_box]

[nectar_flip_box image_url_1=”1250″ bg_color=”#0a0a0a” text_color=”light” icon_color=”Accent-Color” bg_color_2=”#1239ff” text_color_2=”light” h_text_align=”center” v_text_align=”center” flip_direction=”horizontal-to-left” front_content=”

Panasonic Leica DG Vario
50-200mm f/2.8-4

” min_height=”400″]Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4
Super telephoto lens for recording conferences, graduation, and other events from far away.
Learn More[/nectar_flip_box]

[nectar_flip_box image_url_1=”1249″ bg_color=”#0a0a0a” text_color=”light” icon_color=”Accent-Color” bg_color_2=”#1239ff” text_color_2=”light” h_text_align=”center” v_text_align=”center” flip_direction=”horizontal-to-left” front_content=”

Venus Laowa7.5mm f/2

” min_height=”400″]Venus Optics Laowa 7.5mm f/2
A super wide manual lens (no auto-focus). It does have a little fisheye effect but usefully in specific cases where a wide angle is needed.
Learn More[/nectar_flip_box]

Panasonic Lumix G X Vario
12-35mm f/2.8 II